repress of the 3rd hyper on experience release - remastered, remixed & reimagined.

(limited edition of 300 copies) het interstedelijk harmoniumverbond (the intercity harmonium league) is the vehicle that transports glen steenkiste, brecht ameel, david edren and steve marreyt towards new horizons.

third part of the black mans pride series from soul jazz, entitled none shall escape the judgement of the almighty. the heavyweight double vinyl includes a download code.

mac-talla nan creag is channeling ancient rites, the mysteries of the scottish landscape and its elements through technologies both old and new for your listening pleasure.

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
the jamaican reggae producer harry j recorded some of his most successful artists during the late 60’s / early 70’s. the first local hit he recorded was the beltones “no more heartaches”. this compilation album puts down the focus on the classics from his first years in music business. it’s one of the long players from trojan’s early years when boss reggae ruled the dancehalls all around the uk and jamaica. the fine production of songs by king cannon, herbie carter and trevor shield can all be found on this 12-track lp.

this is the first brand new hyper-on experience ep to be released in decades, and it is simply amazing. the legendary artist behind massive underground anthems such as “lord of the null lines” and “monarch of the glen” return with a superb 3 track ep and its like they have never been away. all three tracks retain that unique blend of quirky humor and style with serious production and technical skill. lift me up is a full on piano and live vocal work out, while cannon rush stands out as the most…hyper-on-ish of the tracks? with its choir intro and cleverly manipulated vocals, is is both original and authentic. meanwhile, vibrations rounds out the ep and stpes a little further back in time, being slightly slower and deeper. this whole ep is a classic waiting to happen.

while the righteousness of blackness is at the heart of the rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at studio one records.
black man’s pride is the striking new studio one collection of deep heavyweight reggae featuring horace andy, alton ellis, the gladiators, sugar minott, the heptones, freddie mcgregor, cedric brooks & more.
this new album is released as a heavyweight gatefold double-lp edition with download code included.

emotional rescue and jamwax return to capo disco with the first ever-official release of a holy grail of the caribbean disco sound. fully licensed and remastered especially for this release, there is no now requirement for badly pressed rip offs. while little is known about the crashers, all leads point to an incarnation of the revolving “house” band of glen adams. as often the case, the floating nature of jamaican born labels, rhythm sections naming and renaming to fit occasions was endless.

the studio and label digital b of producer bobby digital dixon became the ruling production house in the musical revolution that swept through jamaica from the mid-80s onwards with a lethal selection of dancehall weapons and chartbusting reggae hits. x-tra wicked gathers many of his bestever productions from those heady times when specialist stores were awash with 7-inch singles, freshly arrived from jamaica, and reggae music was once more on the rise. this great double 2lp-set presents 24 selected tracks in a double wide vinyl jacket, with just the top hits from the two bobby digital reggae anthology releases, the 2cd+dvd set x-tra wicked and the 3cd-set of -serious times- and has liner notes written by reggae expert john masouri.

along with his rival, cornell campbell, johnny clarke was one of the most esteemed singers of the roots reggae era. having grown up next door to a popular sound system on waltham park road in western kingston, clarke s early fascination with music led him to hang out at studio one with jacob miller while still at school. he then made the rounds of talent shows with barry brown, sugar minott and the diamonds, which led to a debut recording in 1973, for the pianist glen stair, which remains unreleased. an early effort for clancy eccles, ‘god made the sea and sun,’ was not promoted properly, though ‘everyday wondering,’ for rupie edwards, impacted in britain, ‘golden snake’ for stamma houghton and a cover of smokey robinson’s ‘you really got a hold on me’ for glen brown were also false starts. the breakthrough finally came in 1975 when clarke linked with bunny lee, who had him voice the rastafari landmark ‘none shall escape the judgement’ (written by earl zero, who failed to muster a credible take), which kick-started the ‘flying cymbal’ craze. clarke’s resultant debut album, enter into his gates with praise, mixed hard-hitting rastafari devotional material with sympathetic cover versions of classics by the likes of the paragons, slim smith and delroy wilson, along with a few reggae renditions of some vintage american r&b.

after a first year of activity with 3 beautiful single reissues, sol discos presents its first album, with the compilation message in our music, selected by waxist. focusing on modern-soul genre, the selection ranges from 1976 to 1983 and gathers a nice selection of independent and private press records, all officially licensed.

hailing from bristol with a string of releases for the likes of king street sounds and remixing the likes of dennis ferrer, evelyn champagne king, carolyn harding, blaze, and roland clark. he s amassed an impressive discography of nearly 100 releases, delivering inspired reworks for labels like local talk, strictly rhythm, vega records, tribe, and quantize plus an original solo album for z records. we are super hyped over sean s first release on boogie cafe, providing us with three cuts of sublime house music, with a nod to kerri chandler and and glen underground this ep is sure to get a lot of heat from the house heads. early support from neil diablo, alfresco disco, melon bomb djs , dave harvey futureboogie, noel watson, deli g.

“soldier” is iggy pop’s fourth solo studio album, released in 1980. for the album iggy collaborated with ex-sex pistols bassist glen matlock. david bowie and simple minds provide backing vocals on “play it safe”. videos were made for the songs “loco mosquito”, “knocking em down (in the city)” and “dog food”.
first pressing of 1000 numbered copies on clear green/black mixed 180 gram vinyl.

sowohl der film als auch der soundtrack zu »guardians of the galaxy« sind absolut kult. und da 2017 endlich die fortsetzung des science-fiction-abenteuers von marvel in den kinos läuft, gibt es passend dazu die neue filmmusik: »guardians of the galaxy: awesome mix vol. 2«.

since his first release in 1997, hanna has been a body of art with the agenda of putting ambiguous chord structures and harmonies into an electronic music envelope. the more popular works lying in the deep house and techno genre. the apron release called the never end, opens and closes with ambient pieces without drums or percussion with strange titles being and when which are improper adjectives or nouns that symbolize the ambiguity of the chords and beauty of the sound. the other 4 pieces nudge previous unique hanna minerva that makes this a special and impressive release.

analogue attic s first full-length album comes from local jazz musician, matthew hayes. based on themes and memories from around victoria, indigo sounds like the feeling of diving through waves and sitting on golden sand. meditative synth lines and hayes stunning bass guitar work ebbs and swells like the ocean. a beautiful first release from this up and coming artist.

tenor singer johnny clarke had many false starts in his youthful days. hanging around studio one as a schoolboy with jacob miller, clarke was supposed to record material written for him by bob andy, but somehow never made the grade. his 1973 debut recording for lesser-known producer glen stair was not released, and early work for clancy eccles failed to hit, though ‘everyday wondering’ for rupie edwards made an underground impact in britain and new york. subsequent singles for keith hudson and glen brown also did not get very far, but the breakthrough finally came when bunny lee asked him to sing ‘none shall escape the judgement,’ which was written by the singer earl zero, it became a massive hit that launched the ‘flying cymbal’ craze (based on an open-and-closed high-hat cymbal pattern, adapted from the soul train theme), and clarke became one of lee’s most reliable hit-makers, partly because lee stoked a rivalry between him and cornell campbell, whom lee had previously asked to voice ‘none shall escape.’ clarke’s satisfaction lp was recorded at harry j for lee, voiced at king tubby’s studio, and issued by third world in 1979. it is a set largely comprised of cover tunes, such as the strong opening update of the paragons’ ‘riding for a fall,’ the title track adapting their rock steady hit ‘my satisfaction’ in a post-rockers style. better still is the hard-hitting ‘reality’ tune, ‘play fool, get wise,’ which uses a proverb to relate a means of avoiding trouble on the dog-eat-dog mean streets of kingston.

ausgewählte highlights der 2 cd compilation “swing with the best big bands” jetzt auch als vinyl erhältlich.

reiner witzel is a german jazz musician born in mannheim. he is said to be one of the best jazz-sax-players nowadays and won several awards. reiner witzel worked with well-respected artists amongst others defunkt @ new yorker knitting factory, with fela kuti @ shrine in lagos, in jazz clubs of tokyo and stadiums in dubai. moreover he played with the bundesjazzorchester, philipp van endert (urban lyrical), the gil evans orchestra, marla glen, kristi stassinopoulou, the hr-bigband and fury in the slaughterhouse. besides his work as a musician he is also busy as a photographer and portrayed lionel richie or roger cicero, a. o..

welcome to the rocksteady sound from jamaica. towards the end of 1965 some say due to the extreme heatwave that was hitting the island the people that followed the sound system dances demanded a slower beat so they could still move and groove to the all night musical night affairs. so the jerky ska swing was slowed down to a steady beat that also allowed the songs cut at this time to shine throgh. so sit back and enjoy the tunes that rocked this islands between 1966-1968 the rocksteady sound that hit that town..

dirt fishing is the follow-up to ‘slag heap’ nrv001 (a split 12” made up of sounds recorded in a slate mine). this time it comprises of recorded sounds encountered during a day of metal detecting on walthamstow marshes. the recordings include the direct output from the proximity sensor on the metal detector, ambient eld recordings from the environment, conversations with friend and fellow dirt sher, glen, and separate sounds recorded by knocking, tapping and rubbing the found items.

einer der köpfe von the gloaming ist der new yorker pianist thomas bartlett, der jüngst das album “carrie & lowell” von sufjan stevens produziert hat. thomas bartlett arbeitet auch regelmäßig mit glen hansard, rufus wainwright und the national. gemeinsam mit den musikern martin hayes und caoimhin Ó raghallaigh (steicher), sänger iarla Ó lionáird sowie gitarrist dennis cahill bildet er the gloaming. dies ist ihr zweites album. “2” ist ein wunderbarer grenzgang durch verschieden musikalische welten: irische folklore trifft auf moderne komposition, pop auf avantgarde. unbestritten eines der besten werke des vergangenen jahres. das doppel-vinyl erscheint im klappcover inklusive downloadcode.

letztes jahr leider nur digital erhältlich, kommt die „a very unique christmas“-compilation dieses jahr als kleine feine auf 750 stk. limitierte auflage als vinyl inkl. download code! die tracklist wartet nicht nur mit allseits beliebten unique-klassikern auf, sondern hat mit impuls & suzan köcher auch noch zwei bislang unveröffentlichte und äußerst vielversprechende künstler in petto. außerdem mit dabei unique-neuzugang palace fever aus solingen, the vals und black tie electrons aus holland, deren song „i have no control over you“ bisher nicht auf vinyl erschienen ist. und das ist natürlich noch nicht alles – weil doch weihnachten ist, enthält der download-code 6 zusätzliche tracks! enjoy!

master mix tells the story of arthur russell, exploring his music and ongoing relevance to a new generation of artists. showcasing the diversity of arthurs musical worlds, each artist reinterpreted one of his tracks in their own style in tribute to his influence. features tracks from hot chip, robyn, blood orange, sufjan stevens, jose gonzalez and many more. the triple vinyl lp includes a download code for the full album.

todd terje disco edits of tracks from curtis mayfield, chris rea, disco very and glen larson & stu phillips.

erstmalige nachpressung seit der urspruenglichen lp vinyl veroeffentlichung im jahr 1986! turbo charged wurde von king jammy aka prince jammy produziert und gilt seit mitte der 80er als meilenstein des reggae & dancehall - hier finden sich die hits hog in a minty (ein update des mento traditionals auf dem tempo riddim), gimme some of your something, und down in the ghetto (auf dem satta riddim), rub a dub a kill you (auf dem rockfort rock riddim), plus amazing grace (auf dem java riddim). das leben des nitty gritty (bürgerlich: glen augustus holeness) war tragischerweise sehr kurz, er wurde 1991 in brooklyn, new york von seinem kollegen super cat in notwehr erschossen - aber dieses zeitlose album hat ihn unsterblich gemacht

für clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken geloester, weil man beim umgang mit material anderer kuenstler mehr freiheiten genießt

ltd repress - after mark ernestus mix of moyege in this series, now his basic channel / rhythm and sound partner comes to the control tower. moritz s deep berlin steppers discloses dubwise traces of our original lagos recording — the percussion of yinka ogunye, the singing of fifties palmwine legend rolling dollar, oscar olimbi s guitar lick — in with his own oberheim voicings, additional drumming, and cool-and-deadly rhythm track. its a tough, masterly dance record in fine rhythm and sound style — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. like a stepping razor, but t-u-m-p-i-n. this reggae land version is the take-no-prisoners, pared-down dub of wareika hill sounds rootical rework of ise nla. magnificent trombone and percussion. expert, classical ja mixing. brings to mind those great dubs of glen brown s black man stand up pan foot

first copies only available via decks.de !!
kolokol productions debut on label kolokol with two great remixes from our brothers rene breitbarth, pawas and one original version. great collabo between russia and germany. perfect music for everyone!
kolokol production is a phenomen on closed private events for elite in russia 2011. design feature is that the musicians who write music for kolokol production are classified. no one knows their names.enjoy your russian label kolokol!
already supported by: oscar barila, ataneus, rene breitbarth, pawas, nikola gala, babak shayan, lukas greenberg, soundsam, jussi pekka parikka, glen faedo, kir inter, burche, pioneerball, ivogrande, maori, dop q, sasha knyazev

rockabilly was the name given by american trade papers between 1956 and 1959 to describe a new kind of music.

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

incl remixes by jimmy edgar & click click !! big with: mathias schaffhäuser, niko schwind, dirty doering, shir khan, m_ferri, noreuil, dj glen, sven jozwiak, sebastian wilck, microbodies, renato patriarca, jitzu, roberto perotti, berlin mite institut and many more…. this vinyl features a groovy 80s/ disco smasher from kassettes new discovery glocal from sao paulo (brazil). lennox and dani focus on a hooky bassline, with a whiff of acid and super catchy vocals. as a bonus detroits wunderkind jimmy edgar (warp/ items & things) and berlins click click (kassette) add two remixes to this mindblowing release. jimmy edgar delivers a really hypnotic deep house mix with a whiff of 90s flavour while label head click | click focuses on a funky minimal/ disco groove.

25 rare & essential tracks produced by bunny lee between 1967 and 1968. digitally remastered double vinyl release, housed in a gatefold sleeve.

we say this every year but pop ambient 2010 is a defining moment for the series - a change in pace but a familiar face for those that have been yearning for our annual remedy. enjoy. the vinyl version contains a free cd of the album !!!

here you have a little history of house music in one package. i ve lost control (an ode to the sleazy b / marshall jefferson trax records release) is played by ame, radio slave, phonique, shinedoe, d julz, alex smoke and more.

essential acapella selections, perfect for advanced djs & very useful for producer

kris menace, the man behind the multi seller discopolis on alan braxe’s label vulture is back with yet another strong emotional electronic dance tune. all ingredients that we love from kris music are there, a fat rounded deep bassline, superb romantic keys & synths, sure to bring dancers into magical moments of transe. produced by medway & glen l. presents eva builder , incl kris menace re-edit

just a classic!

the martinez brothers in the mix

mac-talla nan creag is channeling ancient rites, the mysteries of the scottish landscape and its elements through technologies both old and new for your listening pleasure.

fuer clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken gelšster, weil man beim umgang mit material anderer kuenstler mehr freiheiten genie§t.

party class! incl. funkerman, jesse voorn, robbie rivera, armin van buuren, sied van riel, mr. sam, tiesto ..

feat.music from jamie jones, deniz kurtel, johnny white, soul clap, gadi mizhari, seth troxler..

many reggae aficionados see the concentrated phase of rock steady between 1967 - 1969 as the carribeans most productive era of all time. never before had such sweet melodies, inspiring rhythms and beautiful love lyrics come together. numerous soul hits by the likes of curtis mayfield, the impressions, the supremes all got the bass-driven, jamaican style treatment.

newcomers may ask - so what is pop ambient? a genre? possibly. a statement of musical mindset? absolutely! pop ambient was conceived by kompakt co-owner and producer wolfgang voigt and remains a collection selected and curated by voigt. pop ambient 2010 features a great selection of ambient tracks by wolfgang voigt, dj koze, jŸrgen paape, mikkel metal, thomas fehlmann, the orb, marsen jules, bvdub, dettinger, popnoname, andrew thomas & triola